Hrvaška, januar 1992. Sredi divjanja vojne ob razpadu Jugoslavije mladega švicarskega novinarja Chrisa najdejo mrtvega v skrivnostnih okoliščinah. Oblečen je v uniformo mednarodne najemniške vojske. Njegova sestrična, Anja Kofmel, ki je kot majhna deklica čednega mladeniča občudovala, se odloči, da bo raziskala njegovo zgodbo in skušala ugotoviti, kako je bil Chris v resnici vpleten v spopade. 20 let po Chrisovi smrti se njegova sestrična, režiserka Anja Kofmel, poda na lov za namigi, s katerimi bi prišla do odgovorov. Odpravi se po sledi Chrisovih zadnjih korakov, začenši z dnevom smrti, pri čemer jo usmerja njegov dnevnik. Pogumna preiskava jo vodi k njegovi družini in pričam tedanjega časa, kot so Chrisovi novinarski tovariši in plačanci mednarodne brigade PIV, ter celo k nekdanjemu teroristu Carlosu Šakalu, ki so bili vsi globoko vpleteni v vojno. Originalni naslov: Leto produkcije: 2018 Država: koprodukcija Žanr: animirani film Režija: Anja Kofmel Scenarij: Anja Kofmel Glasovi: Joël Basman, Susanne-Maria Wrage, Megan Gay
Christian "Chris" Würtenberg was a young Swiss reporter/journalist attracted by war activities. So he had joined an army training in Namibia before taking an interest in the Balkan war, joining the PIV, a paramilitary group of activists which was in the end integrated into the Croatian army who were fighting the Serbs. He was not really a soldier type of man, became an outsider and ended tragically before he could actually write the book he intended to publish about the war atrocities. He was called Chris or "the Swiss" by the fighters. His cousin, Anja Kofmel, is the director of the film which has archive footing, live interviews, and animation parts. She traveled to the war sites 25 years after the actual events and interviewed people who had known Chris. Haunting animation scenes really show the horrors of war for the civilians and also the soldiers. There is no good or bad side, both sides are involved in war crimes. Chris investigated perhaps naively about the reasons people had to act the way they did. The hybrid film technique is mastered to perfection by director Anja Kofmel.